Repertoire
This is the repertoire from which the excerpts will be selected: each single title (unless otherwise indicated) represents a valid excerpt for the single draw.
| 1. | Preliminary Stage | |
| | Renaissance- Baroque Period T. L. de Victoria - Ne timeas Maria G. P. da Palestrina - Domine quando veneris J. Gallus - Surge propera |
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| | Romantic Period J. Brahms - Nachtigall op. 52 n. 15 F. Mendelssohn Bartholdy - Psalm n. 100 Jauchzet dem Herrn G. Rossini - O salutaris Hostia |
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| | Modern-Contemporary Period F. Poulenc - Timor et Tremor (da Quatre motets pour un temps de pénitence) S. Rakhmaninov - Bogoroditsye dyevo B. Britten - Rosa Mystica (da A.M.D.G.m 1939) |
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2. |
Final Stage |
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| | Renaissance-Baroque Period O. di Lasso - Amicus meus A. Banchieri - Seguita la detta mascherata L. Marenzio - Veggo dolce mio bene |
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| | Romantic Period J. Brahms - O susser Mai op. 93 a n. 3 A. Bruckner - Os iusti (Graduale) A. Dvorak - Dnes do skoku ado pisnicku op. 63 n. 5 |
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| | Modern-Contemporary Period M. Ravel - Nicolette (da Trois Chansons) P. Maxwell Davies - O magnum mysterium Zoltan Kodaly - Der 121 Psalm |
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A copy of all the scores in the editions indicated on the notice will be sent to the candidates admitted to the competition, for study purpose only.