Repertoire

This is the repertoire from which the excerpts will be selected: each single title (unless otherwise indicated) represents a valid excerpt for the single draw.

1.--Preliminary Stage

⦁--Renaissance-Baroque Period

T. L. de Victoria: O Magnum Mysterium (S,A.T.B);

G.P. da Palestrina: Sicut Cervus desiderat ad fontes (S,A.T.B);

Orlando di Lasso: Super flumina Babylonis (S,A,T,B)

⦁--Romantic Period

J. Brahms: Der bücklichte Fiedler op.93a n. 1;

A. Bruckner: Christus factus est pro nobis;

C. Gounod: Ave verum

⦁--Modern Period

P. Hindemith: Vergier da Six Chansons (1939) n.6;

G. Petrassi: da Nonsense (1952): n. 1 C'era una signorina;

M. Ravel: da Trois Chansons: n.3 Ronde (ed.1916)

2.--Final Stage

⦁--Renaissance-Baroque Period

T. L. de Victoria: Versa est in luctum (S,S,A,T,T,B);

G.P. da Palestrina: Tu es Petrus (S,S,A,T, Bar.,B)

L. Marenzio: Io Piango (S,A,T,T,B)

⦁--Romantic Period

J. Brahms: Ein Kleiner, Hübscher Vogel op. 52 n. 6

G. Verdi: Ave Maria

E. Grieg: Jesus Christ ist augefahren

⦁--Modern Period

O. Messiaen: O sacrum convivium (1937)

F. Poulenc: da Quatre Motets pour un Temps de Pénitence n. 2 Vinea mea electa

A. Copland: da Four Motets: n. 1 Help us, o Lord (1979)

The candidates selected for the final stage will be sent a photocopy of all the scores in the editions contemplated by the notice of competition, only for study purposes.